Vườn Hồng was built around contrasts: soft but powerful, ornamental but deliberate. Gold against electric blue. A vertical rose garden spinning like a zoetrope. Each woman becomes a flower in bloom, with a world of her own. Hương rides a giant elephant, graceful but commanding. Chi lies at the centre of a blooming machine, surrounded by movement while remaining completely still.

The set moves with them. Sand falls like rain. LED walls breathe. Silhouettes shift. Even the choice of gold details was considered against the emotional world of each character.

The universe was built from the ground up, from a fully practical moving elephant to a three-tier tower made from human figures. An ambitious set, brought to life through layers of movement, material and detail.